Altered Zones

WARNING: Megazord notes, "this may cause seizures." You've been warned.

Zord's latest video work comes in the form of another phenomenal Rene Hell cut. The video seems to take Hell's rambling arpeggiations to heart, remixing (and rehashing) Arps as video filters. That is not a technical statement, rather a symbiotic one, more in tune to how Oldham warps visuals around Hell's free-flowing synthesis. It's a non-stop barrage of rippling images that pour through digital streets like faucet that can't seem to stop flowing. --Michael McGregor, Chocolate Bobka

MP3: Rene Hell: "E.S. Des Grauens In Fifths"

Stream The Termianl Symphony before you buy it from Type Records

Megazord made a video for Air Waves' "Humdrum". Pretty ballin', as usual, with weird technology, ad-sequences, and synthetic doldrums contrasting with Nicole Schneit's ultra sincere pop. Awhile back, Dan Deacon named Air Waves as his Favorite New Band in 2009, citing "Shine On" as his then favorite. (via Rose Quartz)

MP3: Air Waves: "Shine On"

Grab Dungeon Dots from Underwater Peoples, and check tour dates at their Myspace

As 2010 draws to an close, Altered Zones brings you its collective year-end re-cap of its favorite albums, songs, and music videos. Stay tuned for our top tracks on Monday, top albums on Tuesday, and daily mix-tapes from a handful of surprise guests.

El Guincho: "Bombay"

Marc Gomez del Moral's video for El Guincho's "Bombay" is a self-sourced film collage, stitching together dozens of weird happenings into a deftly edited stream. There doesn't seem to be any method behind the director's choice of images, though they all seem to fall into one of two categories, or both: "sexy" and "uncomfortable". There's the nude women, the licking, the toe-sucking, the statue-seducing, the woman cutting off her underwear with scissors. And then there's the woman smashing eggs on her face, smoking a cigarette with laundry piled on one shoulder, the urgency lurking behind everything we see. With its hazy, archival-footage-projected-in-a-classroom feel, this schizophrenic sexploitation throwback makes for a stellar accompaniment to a fantastic song. --Ian Nelson

Gil Scott-Heron: "New York Is Killing Me"

Successful collaborations in any endeavor are a rare thing, let alone in music videos. And it's even more special when a director truly immerses himself in a piece of music, internalizes it, and returns with a new work of art that functions as a sincere companion piece to its source. English video artist Chris Cunningham, known for his work with Aphex Twin and Björk, puts a disturbing spin on the 61-year old proto-rap prophet Gil Scott-Heron's "New York Is Killing Me", transforming the original from a bizarro electro-schoolyard clap-jam to a hauntingly poignant portrait of urban decay. --Ric Leichtung

Outer Limits Recordings: "$20 Bill"

When visual artist Christian Megazord Oldham takes to Final Cut Pro, he unravels years of commercial abuse, dental ads, fragrances, and other idiosyncratic graphics and images in a concentrated mess of visual revelry. His work on Stellar Om Source's "Island's Best" does just this, while also channeling Christelle Gualdi's Argento-influenced aesthetic. The first time I saw this video, I wondered how he could have possibly concocted so many magnetic graphics. Then I realized that Megazord is the ultimate child of the digital era. Like the web, he sees all, absorbs all, and spits it out in whatever manner seems most fitting. --Michael McGregor

Sun Araw: "Deep Cover"

Summing up Sun Araw’s midnight dub séance “Deep Cover” is no easy task, but who could be more ripe for the challenge than Cameron Stallones himself?  Shot by Brian Davila, Cameron's highly Lynchian interpretation of Track Five from psycho stakeout soundtrack On Patrol comes as close as anyone could hope. A 4 AM dance when you think no one is watching, a desperate intruder in the shadows, the skeletal remains of a party-- and, at the helm, Cameron Stallones, driving the farfisa like a bus through your consciousness. --Andy French

Post-.jpg provocateur Megazord is known mostly for crafting drop-shadow digital tomfoolery on the web and album covers (see GAMES, White Rainbow/Stag Hare split) and warped to the heavens videos for the likes of Rene Hell, Stellar Om Source, Zach Hill, Dolphins into the Future, OPN, and many more. While the 'Zord has been known to screw some rando pop and R&B jams (see his remix of Khira's "My Neck My Back"), the digital fetishist also crafts long form synthesizer jams, ala "Output 1-2", which is an unedited lmprov with the arpeggiator locked in for safety. The 5 minute wavelength bender is hypnotizing, and, in a very good way, begging for house producers to freak a heavy groove on the Zord's maximalist take on minimal synth-scapes. (via Chocolate Bobka)

MP3: Megazord: "Output 1-2"

Visual WTF wunderkind Megazord has compiled a few massive collections of screwed top 40 pop, R&B, and hip hop from the last decade. His latest, "Throw Myself into the Media Fire", is in his own words "a memorial mix to the fake meme of Mediafire dying." Just like his visual work, Zord's re-edits are "sometimes [a bit] overboard" and that's why they hit so hard. Preposterous to the bone, it's clear Zord (and most everyone slowing tracks these days) ain't doing shit, and that's just why these tunes reign supreme. No pretense, no "talent", no expensive gear, just a desire to make eyes roll and heads bang.

MP3: Khia: "- My Neck, My Back (Lick It) [Megazord Screw remix)"

Listen to Megazord's Muxtape